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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell alongside Marc Almond at Leeds during 1977

Dave Ball, a key member of the groundbreaking 1980s synth-pop band Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the team achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a classic of electronic music.

He subsequently formed the innovative electronic act The Grid, who achieved popular acclaim with 1994's Swamp Thing.

Ball passed away calmly in his rest at his home in London on Wednesday 22 October, just weeks after performing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

During that performance, Ball appeared in a mobility chair, as he had for the last two years, after a spate of ill-health.

"I ended up damage myself significantly," he commented in a recent interview. "I broke spinal bones in my back and cracked about five ribs and broke my arm."

After catching pneumonia and suffering from blood poisoning, he was put in an induced coma and stayed in hospital for seven months.

Nevertheless, he had been in "high spirits mentally" during the summer, as he was developing a fresh record with Almond, titled Danceteria, which is set for publication next year.

"He was focused and so happy with the new album that we literally finished only a short time ago," stated the singer in a heartfelt message.
"It's so sad as next year was all set to be such an uplifting time for him, and I take some solace from the knowledge that he heard the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the beginning of the decade

Tributes

Almond referred to his bandmate as "a wonderfully brilliant creative mastermind", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an significant part of my existence and for the music you created with me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "endless laughter" and "unwavering friendship".

"Being in a duo with someone is distinct from joining a band, the connection is incredibly close," he continued.
"That's how it was with us. We went through so many extraordinary, incredible, memorable moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Formative Years

Brought into the world into a single-parent household in Chester in the late 50s, Ball was put up for adoption when he was 18 months old.

He was raised in the seaside town with adoptive parents his caregivers, who altered his given name from Paul to David, together with his younger sister his sister, who was also adopted.

He encountered Almond at an art college in the late 70s, where they were both learning fine arts. Inspired by a shared love of a music genre, they established Soft Cell the same year, and quickly produced an EP.

Creative Collaboration

The pair were an distinctive combination: Ball was the reserved musician, hunched over his synthesizer, while Almond was a flamboyant showman, all sparkle and eye-liner; but they achieved a unique creative synergy.

Ball had cultivated a interest with synthesizers after viewing the band Kraftwerk perform on BBC science show Tomorrow's World, and began to marry dark electronica to the soaring melodies Almond was composing.

Their signature song became the United Kingdom's second biggest-selling single of the early 80s, selling millions of units globally. Together with successful tracks by other artists, Human League and electronic acts, it contributed to cleared the path for the synth-pop sound of the 1980s.

The song was also included on their full-length debut, their initial LP, which spawned two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which reached at number two in the following year.

Soft Cell in the studio
The duo were developing new material until just before Ball's passing

Professional Journey

Success had its benefits. "I enjoyed being able to purchase my initial property, having money and travelling, which makes me sound like a beauty queen," Ball recently told with a publication.

But it also presented challenges. "Newfound wealth allowed we could purchase newfound drugs to relieve the monotony" of media interviews and TV performances, Ball said.

"I know that's a common saying, but it's a cliché for a good reason, because it works for so many bands."

During the hedonistic lifestyle, the pair were also drifting apart, but they succeeded to create a follow-up memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.

They put out one more album, 1984's This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond proceeded to have a successful solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, producing the Top 40 record Cruelty Without Beauty.

Following another break, they reappeared in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the O2 Arena on September 30, 2018.

Yet, they stayed together, creating their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball recently described the band's new album as a tribute to the NYC nightlife they visited while recording their first two albums.

He noted that his time in hospital had influenced the band's sound.

"I experienced strange recollections when I was coming and going of hospital because I was on pain medication," he told a music magazine.
"The new songs are a digital reflection of the noises in my head from those days.
"Simultaneously, it's about the experiences we had in the 1980s."

The last versions were completed only days before Ball died. It is due for launch in Spring 2026.

The writer

Katrina Peterson

Elara Vance is a tech strategist and digital transformation consultant with over a decade of experience in helping companies leverage emerging technologies.

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